|
You're in Charge:
A Guide to Becoming Your Own Therapist
Chapter 6 (an excerpt)
(this is the print friendly version)
On Dreaming
God created the dreams
to point out the way to the sleeper whose eyes are in darkness.
--- Ancient Egyptian
text
Sigmund Freud said that
dreams were the royal road to the unconscious. Fritz Perls called
them the royal road to integration--- meaning, a method of reclaiming
previously disowned parts of the personality. Kilton Stewart described
an uninterpreted dream as being "like an unopened letter from
God." And according to Edgar Cayce, dreams are visions that
can be crystallized. People have been fascinated with dreams and
have regarded them as significant since ancient times. Remember
how Joseph saved himself from a long term in jail and got himself
established as Pharaoh's steward by his successful dream interpretations,
first for the Pharaoh's butler and baker, and then for the Pharaoh
himself?
With this long-standing
historical interest in dreams, it's intriguing to me that the hard,
scientific data on dreams came only in the last half of this century.
In 1953, Aserinsky and Kleitman, working in the department of physiology
at the University of Chicago, observed that sleeping subjects have
periods of rapid eye movements (called REMs in the trade) and that
these REM periods are associated with dreaming. Subsequent research,
as reported by William C. Dement, established that everyone dreams
(although not everyone remembers those dreams), that a typical adult
will have four or five dream sequences per night (or 20 per cent
of sleeping time), that people taking barbiturate sleeping pills,
idiots and senile people dream far less, and that premature babies
spend up to 75 per cent of their sleep-time in REM-sleep.
Dreaming is somehow
essential to the organism. Subjects in a dream laboratory were awakened
at the beginning of each REM period, allowed to go back to sleep,
and always obtained their full baseline quota of sleep for the night.
They were deprived only of their dreams. By the fifth night, when
they were having 20 to 30 aborted REM periods per night, they had
become tense, anxious, and irritable during the day and found it
increasingly difficult to concentrate. A control group that was
awakened as frequently during the night (but during non-REM or nondreaming
periods) did not develop these symptoms. The experimental group's
symptoms disappeared when they were permitted their normal sleep,
and for the first few nights their REM periods were four times their
normal frequency.
So the data are in and
conclusive: We all dream and our dreaming performs some necessary
function.
There are still a few
people, however, who swear that they don't dream because they have
never recalled having a dream upon awakening. And many more recall
their dreams so infrequently that they believe that they must dream
less often than other people.
The data on dream recallers
(i.e., people who recall at least one dream per month) compared
to the nonrecallers are interesting. Goodenough and others found
that the nonrecallers have more rapid REMs and make looking-away
type of eye movements (almost as if they don't wish to see what's
happening during the actual dream itself). They also tend to be
more inhibited, more conformist, more self-controlled, and more
apt to deny or avoid unpleasantness and confrontations in their
daily lives than the dream recallers.
If you are a nonrecaller
and want to join the ranks of the dream recallers, it's not too
difficult . . . if you really want to remember them and agree to
be in charge.
Setting the Intention
to Remember Your Dreams
Make a contract with
yourself to write in your dream journal (or your regular journal)
when you wake up.
Say to yourself just
before you fall asleep: "The first thing I do when I wake up,
I'm going to write down my dreams."
And do it. Have your
journal by your bed, with pen inserted at the page where you wish
to start writing. If you wear glasses, have them within easy reach
also. When you awaken, write down whatever you recall. Even if it's
only a fleeting impression or feeling. Even if it's only four words,
"I'm in a meadow," for example. Resist the voice that
says, "You didn't remember enough to be worth recording."
That's a saboteur subpersonality speaking. Possibly the act of writing
down "I'm in a meadow" will elicit more details about
the meadow and some action in the meadow. And even if those four
words are all you get, don't berate your unconscious--- thank it,
and ask for a fuller recall next time.
Even if you have absolutely
no recollection of a dream, sit up gently and start writing: "Alarm
went off. I have no recollection of dreaming. I feel . . ."
or whatever. Something will emerge if you maintain this discipline.
Until you are an experienced
dream-collector, I would advise you to set only the intention to
remember your dreams. For if you also set the intention to remember
to make a long distance call before 8, or to check to see if your
teenage son is home, or to put out the garbage, you will likely
wake up with the set to go into action on the second intention,
and your dreams will quickly slip away.
~~~~~~~~~~~.
Probably most of you
do remember a fair number of your dreams--- possibly one a night,
possibly one a week, maybe one a month--- and are wondering what
use can be made of them.
Along with Fritz Perls,
I see the dream as an existential message from the dreamer to himself,
a statement about who he is and what his life situation is like.
I would first suggest
a very literal, common-sense approach to the dream. Frequently our
dreams serve to remind us of the contents of the day, which we had
noticed only subliminally, possibly due to the press of a large
input of competing stimuli. A dream of someone wearing platform
shoes (at a time when they were not in style) helped me to realize
that I hadn't been wanting to notice how self-important and grandiose
a certain friend was behaving. Dreams concerning foods or your body
should first be examined quite literally as possible messages from
your body to eat (or avoid eating) these foods, or to examine or
take particular care of certain parts of your body. The psyche seems
to know when a disease process is beginning, before it becomes manifest
in actual somatic symptoms. So your dreams, properly interpreted,
can be an early-warning system of possible future illness that can
then be averted.
Your dreams can give
you other kinds of warnings, too. I once had a dream concerning
a young woman whom I was seeing, who was afraid that her father
would murder her. My dream went like this:
She hides from him in
my home. He finds her there, shoots her, and leaves. I pick her
up, put her in my car, and race to the nearby UCLA Emergency. I
try to blow my horn, it doesn't work, so I drive in erratic zig-zags
to alert the other drivers and get through the traffic quickly.
A policeman stops me. "Thank goodness, you've come," and
I tell him the situation. He puts on his siren and precedes us through
the traffic, clearing a path.
Obviously, there are
many elements in this dream that bear working on: my relationship,
therapeutic and otherwise, to the girl who gets shot, the would-be
murderer, the policeman, also my need to be a heroine! However,
the part that struck me most forcibly when I awoke was how frightening
it had been to undertake that drive with no horn, and how foolish
I had been to drive my car for over a month with a non-functioning
horn. So that day I had it repaired. Now, I had known my horn was
not working. What I was ignoring was my anxiety at driving a car
with no working horn, just because I felt that I was "too busy"
to get it fixed.
~~~~~~~~~~~~~~.
If, however, you examine
the dream for its literal message and find none, then it's time
to approach the dream for its metaphorical meaning.
I see dream symbols
not as an attempt to conceal or censor, as Freud claims, but as
a picturesque shorthand used by the psyche. This shorthand is always
idiosyncratic; there's no standard Gregg or Pitman translation.
In fact, beware of therapists, friends, spouses, or dream "experts"
who try to tell you what the symbols of your dream mean. By all
means, listen to any interpretations; they might suggest a meaning
that will ring true for you. But reject any proffered interpretation
that doesn't resonate with you. Only you can decode your dreams.
Here are some suggestions
to help you with your search for the cipher:
I..... According to Fritz
Perls, each part of the dream represents a part of the personality
that has (possibly) been disowned. So take on the personality of
each person, each object, each element in the dream.
Working on Your Dream
Be that person or object
or element. Describe yourself. "Tell us your story," as
Fritz used to say.
What are you doing in
the dream?
What are you feeling?
What are your relationships
with the other dream figures and with the other objects in the dream?
What do you want?
Have dialogues with
other parts of the dream.
It's useful to do this
out loud. It's also useful to do it with an audience, a therapist
or an objective friend who will feed back her perceptions of qualities
that you might miss. Such as the volume or quality of your voice,
your posture, a twisting of the handkerchief, a tightening of your
throat, a clenched fist, your general mood.
You can also do it silently.
It's useful to write out the dialogue.
And as you enact each
part, be alert for the emergence of associations to your current
life. Or to the book, TV program, or conversation right before bedtime
that you didn't have time to process. You will usually experience
an "ah-ha" sensation when the right fit is made.
How do you know where
to start working on your dream or which elements to identify with?
There are no rules. You can identify with each and every part of
the dream, For instance, if I had wanted to work on my heroine dream
in this metaphorical way I could have been the murderer, the young
victim, the policeman, the heroine, the automobile, the emergency
room of the hospital, and the non-functioning horn.
Be sure to include those
parts of the dream that seemed most vivid, and where you felt the
most emotion.. Here's a checklist of parts of the dream with which
you can identify:
A.... Be the landscape
or the environment, which could include a house, or the air, or
the rain, or a desert, etc. Fritz once asked a man who had had a
dream of riding a horse in central Park to be the bridle path, and
the man immediately replied, "What, and have all those horses
shit on me?"
B.... Be all of the people
in the dream. If they are strangers, see if they remind you of anyone
who is important in your life.
C.... Be any object that
links and joins, such as bridges, telephone lines, highways, and
railroad tracks.
D.... Be any unusual
element, such as a safety lock that is on the outside of your car
door, or a flying cat, or an object that mysteriously disappears
only to reappear.
E.... Be any interesting
or mysterious object, such as a wrapped package, an unopened letter,
or an unread book.
F.... Be any powerful
energy object, such as a tidal wave, or an automobile, or an electrical
generator.
G.... Be any religious
object from a crucifix to a statue of Buddha.
H.... Be any object (or
person) whose left side is different from its right side. Be the
left side, then be its right side. Have a dialogue between the two.
I.... Be any two contrasting
objects, such as a new carpet and a worn carpet, or a young woman
and an old woman. Have them dialogue.
J.... Be anything in
your dream that is missing. It could be something you have lost
in your dream and for which you are actively searching. It could
be a missing part of a signpost. Or a half-written word on a notepad.
("Promis" on a scrap of paper was the beginning of "promiscuous"
in one man's dream.)
Sometimes there will
be an important missing object in your dream that you don't realize
is missing. This is where that therapist or objective friend can
be helpful again.
Lucy worked with me
on a dream that had two segments: a woman being wheeled into surgery
on a gurney and then the same woman waking up in the recovery room.
I asked Lucy to be the surgeon and reenact the scene between the
two fragments. In doing this Lucy realized that the dream was about
her recent hysterectomy and she did some much-needed and long-denied
grief work for her uterus (which was another missing part).
If someone has a dream
that includes the Sun, Mercury, Venus, Mars, Jupiter, Saturn, Uranus,
Neptune, and Pluto, he may need some outside help (i.e., "What
is missing in your dream?") to make him realize that there
is a planet missing from his solar system. Someone with his "head
in the stars" may find it hard to see the obvious, which, of
course, is Earth. It would be very useful and enlightening for such
a person to identify with Earth for a change!
II.... Be alert for any
puns or colloquial expressions. These days a dream of a loaf of
bread may be a dream about money. Or it may conjure up the need
for "a jug of wine and thou" to be complete. It's your
dream, so only your associations are valid.
Ann Faraday has an excellent
chapter in The Dream Game on the many puns she has collected from
her subjects. A dream of her own contains two puns:
A man in long white underpants
shoots her down with a machine gun.
The meaning of this
dream occurred to her later that day when she was waiting to appear
on a radio talk show with a host named Long John Nebel and suddenly
recalled some gossip about his hostile treatment of his guests.
She had repressed this information, so her unconscious was sending
her a warning that a man in "long johns" might try to
"shoot her down".
III.... Notice any numbers
that appear in your dream (house number, number on a roulette wheel,
someone's announced age, the price of an object, etc.) Explore your
associations with those numbers.
IV.... Notice how you
are feeling when you wake up from your dream. This feeling state---
fear, joy, sadness, anger, frustration, puzzlement--- may be your
best clue as to the meaning of the dream.
V.... Notice the colors
in your dream. Any particular association to these colors? You might
want to draw certain parts of your dream. If there is a very special
color in your dream, see if you can match it exactly.
VI.... My suggestion
for finding the message of the dream (if it doesn't become apparent
as you work on it as described above) is to have a dialogue with
the dream. Ask the dream (or the Dream Sender within you, who sent
you the dream) what message it has for your continuing growth. Then
change places. Be the Dream Sender. Tell your Self what message
you have to deliver.
If you emerge with a
long, rambling statement, my hunch is that you are avoiding a shorter,
pithier statement that could be an inducement to action. I sometimes
ask people to reduce their message to a few words that could go
on a poster, and then suggest that they make the posters and hang
them on their walls at home. Here are some of their products:
Give yourself a CHANCE.
Give yourself the TIME.
The bough may break,
but the tree will stand.
Cross the river where
you are.
Don't tie your ship to
a single anchor (or pin your life on a single hope).
VII.... When you have
finished your work on your dream, translate it into some kind of
action that can be undertaken NOW. As in the work with fantasies,
this is necessary to be grounded.
If your dream tells
you to take some time for yourself, then plan precisely how you
can cut back in your busy work schedule. If the Dream Sender urges
you to cross the river now (instead of walking toward a possible
"better bridge" downstream), then plan when and how to
take the action to which the dream was metaphorically referring.
If your dream is warning you not to tie your ship to a single anchor
(and is really saying, don't let your accounting practice depend
on one single large client), then realistically see what you can
do to enlarge your clientele and then make those actual moves.
Nightmares
Nightmares are especially important dreams to work on. They are
sometimes caused by two warring subpersonalities within you. When
you discover the conflict and find some way to reconcile their diverse
needs, there will be much energy released for whatever it is you
need to do.
People frequently wake
themselves up from a nightmare just before the ending. They are
either perched like Pauline on the edge of a cliff, with the ground
crumbling beneath them, or tied to a railroad track with an express
train thundering toward them, or at the steering wheel of a car
whose brakes have failed, careening down a steep hill, or . . .
. If this happens to you, try this gestalt technique. Put yourself
back in the dream. Feel the same frightening feelings. Continue
the action. Bring the dream to a genuine--- not interrupted--- ending.
If by any chance, while
you are having the nightmare, you realize that you are dreaming,
by all means continue the dream action. Don't say, "Oh, thank
God, it's only a dream," and permit yourself to wake up. Confront
your attacker--- the robber, tidal wave, tiger, or whatever--- and
don't run away. He may capitulate when he sees your new show of
strength or cleverness, and become a "paper tiger"! Or
you may have to fight him to the death. If this latter is the case,
know that you may call on your friends--- or a fairy godmother---
to help you. (After all, anything is possible in a dream.) Better
yet, perhaps you can make him into an ally. It's important that
you emerge unharmed. In the confrontation that you permit--- knowing
that nothing can harm you--- you can learn some very valuable lessons.
~~~~~~~~~~~~~~~
The Dream Sender
In addition to learning to remember your dreams, you can also learn
to dream specific dreams on demand. If, for instance, you failed
to get the message from a dream, you can ask the Dream Sender to
give you a dream that will explain the first dream. You will need
to set the intention. Say to yourself just before you fall asleep,
"My dreams tonight will explain last night's dream. And the
first thing I'll do when I wake up is to write down those dreams
which will give me the explanation of last night's dream."
A very important use
of your Dream Sender is to ask for a dream that will give you an
answer to a specific question or help in making a certain decision.
A couple of years ago I had a very bad cold while I was staying
at a temporary home in Germany. I was to leave the next morning
to do a workshop in Poland, a twenty-four train trip away. I had
vacillated in my decision-making about whether I should cancel the
trip and the workshop. When I went to sleep that night, I asked
for a dream that would tell me whether I should go or stay. I woke
up in the middle of the night with a hideous attack of coughing
and dashed for the bathroom a long hall away. As I was sitting on
the toilet I remembered I had intended to have a definitive dream.
At first I felt I had lost it, then I remembered something about
being in a group of people and speaking German.
My Critic subpersonality
got very annoyed at this point. Not only was this not my definitive
dream, but also it sounded like one of what I call my "show-off"
dreams. So I angrily said to myself, "Jan, you know you don't
speak German. If you were really speaking German in that dream,
I'd like you to reproduce just one sentence of dialogue." And
then the word "bleiben" popped into my head. I knew I
had heard the word, but couldn't think what it meant. I was on my
way to look it up in the dictionary when I remembered the situation
in which I had heard it, and realized it meant "to stay".
This was too powerful a message for even the most adamant stage-trooper
to ignore, so I cancelled the workshop and stayed in Germany. And
fortunately so, because the next few days I was far too sick to
be traveling or working.
Your Dream Sender is
a very creative person and can be helpful to you in your waking
life in a variety of ways. There are innumerable inventions and
artistic creations that were initiated by dreams. Elias Howe had
begun to despair of designing a sewing machine that would work until
in a dream he saw his sewing machine needle with the eye at the
bottom, rather than in the middle or at the top, as in his previous
models that wouldn't sew properly.
August Kekule had been
wrestling with the problem of how to conceptualize the benzene molecule.
There weren't enough hydrogen atoms to satisfy the valence of the
six carbon atoms when they were placed in a straight line (which
is how organic compounds had been arranged up until this time).
He fell asleep. Then, as he later reported to a scientific gathering:
"The atoms flitted before my eyes, wriggling and turning like
snakes. One of the snakes seized its own tail and the image whirled
scornfully before my eyes. As though from a flash of lightning I
awoke. I occupied the rest of the night in working out the consequences
of the hypothesis. Let us learn to dream, gentlemen." And this
is how Kekule conceived of arranging the carbon atoms of the benzene
molecule in a ring, a discovery that was the foundation of the chemistry
of dyes and pharmaceutical compounds.
Otto Loewi received
the Nobel Prize for a discovery that was the result of a double
dream. He had been puzzling about how the nervous system affects
the heart beat. During a dream he "discovered" the principle
of the chemical action on the nervous system and designed the experiment
that would demonstrate it. He scribbled some notes and went back
to sleep. However, tragedy! The next morning he couldn't decipher
his notes. The following night he slept fitfully, but in the middle
of the night he redreamed his solution. This time he didn't take
a chance on writing notes, but went straight to the laboratory to
start the experiment.
Individuation Dreams
and Their Symbols
Individuation is Carl Jung's word to describe the process by which
you become the definite and unique being that you in fact are. There
are two growth processes needed to accomplish it.
First you must rid yourself
of the false wrappings of the persona, which is Jung's term for
your facade, social roles, and games. Many of the exercises and
suggestions given so far in this book--- journal writing, the Evening
Review, subpersonalities, disidentification exercise, self-observation,
and gestalt dreamwork in particular--- should help you to discern
your self (who you really are) as distinct from the social roles
that you play in the world.
You need also to come
to terms with the primordial images (or archetypes) of the collective
unconscious so that they will no longer be able to influence your
behavior. These are myths and symbols that, according to Jung, seem
to be universal for all people in all cultures and in all historical
periods. Unlike the personal unconscious, whose contents were originally
conscious but then were forgotten or repressed, the contents of
the collective unconscious have never been conscious, but are a
racial inheritance. Examples of such archetypes are the eternal
child, the witch, the mother, the hero, and so on. It could be a
mythological figure of which the dreamer has no conscious knowledge.
For instance, a woman came to the first meeting of one of my dream
classes with a dream in which there was a teacher named Minerva.
The student disclaimed any knowledge of mythology, yet further work
on the dream demonstrated that she expected me to be very wise!
Jungian analysts believe
that some people (especially people in the second half of their
lives) have dreams that demonstrate this process of individuation.
The beginning will be heralded by dreams containing floods, earthquakes,
giant fires, or similar symbols of psychic transformation.
Next will come dreams
about the shadow or the dark side of humanity and himself that the
dreamer has rejected, condemned, or ignored. In dreams, these rejected
characteristics are projected onto another person, frequently a
"black man". Jung felt that it is essential for all of
us to re-own this universal shadow. According to his biographer,
Laurens van der Post (Jung and the Story of Our Time, he believed:
The individual who withdraws his shadow from his neighbor and finds
it in himself and is reconciled to it as to an estranged brother
is doing a task of great universal importance.
The persecution of the
Jews by the Nazis and of Blacks by Whites are two hideous examples
of the shadow unchecked and permitted expression on a national level.
The concept of the shadow
is not a Twentieth Century or even a Nineteenth Century discovery.
Plato wrote in The Republic: "Even in the most respectable
of us there is a terribly bestial and immoral type of desire, which
manifests itself particularly in dreams."
To work on your own
shadow, be sure to identify, gestalt-style, with every sinister
person in your dreams. (You created this person in your dream. And
every evil that he performs there is of your invention.) If you
don't own this evil as part of your psyche, but continue to self-righteously
condemn it in others, a sad and strange transformation occurs. We
tend to become what we condemn and oppose. I suspect this is the
real meaning behind the New Testament injunction to "resist
not evil." One of the tragedies of our history is that so often
groups who wish to promote social justice conceptualize the group
in power as the enemy and evil. By the time they have succeeded
in overthrowing the "enemy" they have acquired all of
his characteristics.
The shadow can also
be a friend whom you secretly despise or envy. And it will be your
flip side. If you are sexually liberated, your shadow may be someone
whom you perceive as "prudish." If you are a jet-setter,
expect a prosaic stay-at-home clerk-typist. Or if you voluntarily
maintain a 60-hour work week, your shadow may present itself as
a "bum" waiting in line for his unemployment check!
Men can expect to have
dreams of their anima and women of their animus, which according
to Jung are the archetypes of their unconscious and unexpressed
feminine and masculine parts. Anima examples are the mysterious
unknown woman, Dante's Beatrice or Liv Ullmann or Barbra Streisand.
Animus examples are the dashing Arab, the mysterious stranger, the
knight in shining armor, Robert Redford, or frequently a group of
men.
See what your anima
or animus is doing in your dream. Imagine doing that activity yourself.
We cannot be whole until we have reclaimed the opposite-sex side
of ourselves. The man needs to reown his gentle, nurturing, artistic
side, rather than projecting it onto his anima (whom he may pursue
relentlessly in his waking life.) The woman needs to reown her aggressive,
logical, thinking abilities, rather than always casting these onto
her animus and onto the men in her life.
As the individuation
process moves along, there may be dreams containing progress symbols
such as voyages, highways, forks in the road, or wading across a
stream from one bank to another.
Some archetypes that
are sure to emerge in dreams are those of the "wise old man"
and the "wise old woman." They symbolize that you are
about to withdraw your projection of wisdom from your outside mentor---
Plato, Christ, Swami Muktananda, your dissertation chairman, Einstein,
Bertrand Russell, or whomever--- and give it to the guru within.
Finally, you can anticipate
having some dreams that seem to denote pure energy or the unity
of all life. I'd rather not suggest illustrative examples here,
but let you dream your own.
Mandala Dreams
A mandala is a perfectly balanced design whose center is particularly
important. They are frequently circular but they can also be square.
They are frequently used in the East, especially Tibet, as objects
for contemplation. The design is constructed to encourage the viewer
to focus on the center and to ignore the outer designs.
Jung was very intrigued
with mandalas and studied them in many cultures. He found that patients
often had mandala dreams at that point in time when the Self emerges
as the center of the integrated psyche and also at times of psychic
dissociation and disorientation when some "self-healing"
is needed. Here's an example of a mandala dream:
I'm walking in the woods
when I come to a very large cleared area that is square in shape,
with four very tall pine trees marking each of the corners. As I
move into the cleared area I step over a large, long log that is
lying across my path. I notice that it is joined by two other logs
which are joined by two more logs which all together form a pentagon.
In the center of this pentagon is a small circle of dark rocks,
some of which are carved in interesting shapes. Then I see that
these rocks must have once contained a campfire. I go over to examine
the area to see if there are still any live embers. I hear a roar
behind me and realize that the forest is on fire. I look around
and see a circle of red and yellow flames leaping above all but
the highest four trees. I know that I must stay in the safety of
the pentagon and the rock circle until the fire has burned itself
out.
|